第一週：視覺的本體論與政治解構 - 課程導論與雙軸圖譜
第二週：光學無意識的考古學 - 班雅明《攝影小史》
第三週：靈光的隕落與政治的震驚- 班雅明《機械複製年代的藝術作品》
第四週：觀看的權力意志 -約翰．伯格《觀看的方式》（上）
第五週：景觀的誘惑與自我收編 -約翰．伯格《觀看的方式》（下）
第六週：攝影作為侵略性的採集 -桑塔格《論攝影》（上）
第七週：影像的過載與感官的麻木- 桑塔格《論攝影》（下）
第八週：冬園中的私密刺點 - 羅蘭．巴特《明室》
第九週：虛構的先行與超現實的沙漠 - 布希亞《擬像與仿真》
第十週：祕密的誘惑與客體的復仇- 布希亞《論誘惑》與《致命策略》
第十一週：誰的生命可哀悼？ 論巴特勒《戰爭的框架》
第十二週：泰然任之的凝視從《薩爾加多的凝視》到《重回大地》中的大地與本源
第十三週：時間的肉身與存有的拓撲- 塔可夫斯基與《雕刻時光》中的生命祭壇
第十四週：肉身的交叉與視覺的起源《眼與心》中的反笛卡兒邏輯
第十五週：深度與不可見性- 作為存有維度的繪畫
第十六週：可見者的終極返還- 從擬像沙漠到肉身的詩意居所
第十七-十八週：自主學習：視覺藝術哲學議題自我探討
Week 1: The Ontology of Vision and Political Deconstruction — Introduction & Dual-Axis Mapping
Week 2: Archaeology of the Optical Unconscious — Walter Benjamin, A Short History of Photography
Week 3: The Fall of the Aura and Political Shock — Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction
Week 4: The Will to Power in Seeing — John Berger, Ways of Seeing (I)
Week 5: The Seduction of the Spectacle and Self-Co-option — John Berger, Ways of Seeing (II)
Week 6: Photography as Predatory Collection — Susan Sontag, On Photography (I)
Week 7: Image Overload and Sensory Anesthesia — Susan Sontag, On Photography (II)
Week 8: The Private Punctum in the Winter Garden — Roland Barthes, Camera Lucida
Week 9: The Precession of Simulacra and the Desert of the Real — Jean Baudrillard, Simulacra and Simulation
Week 10: The Seduction of the Secret and the Revenge of the Object — Jean Baudrillard, Seduction & Fatal Strategies
Week 11: Whose Life is Grievable? — Judith Butler, Frames of War
Week 12: The Gaze of Gelassenheit — From The Salt of the Earth to Genesis
Week 13: The Flesh of Time and the Topology of Being — Tarkovsky’s Sculpting in Time
Week 14: The Intertwining of the Flesh — Merleau-Ponty, Eye and Mind
Week 15: Depth and Invisibility — Painting as a Dimension of Being
Week 16: The Ultimate Return of the Visible — From the Desert of Simulacra to a Poetic Dwelling
Week 17-18:Autonomic learning: Independent Exploration of Visual Arts Philosophical Issues
第二週：光學無意識的考古學 - 班雅明《攝影小史》
第三週：靈光的隕落與政治的震驚- 班雅明《機械複製年代的藝術作品》
第四週：觀看的權力意志 -約翰．伯格《觀看的方式》（上）
第五週：景觀的誘惑與自我收編 -約翰．伯格《觀看的方式》（下）
第六週：攝影作為侵略性的採集 -桑塔格《論攝影》（上）
第七週：影像的過載與感官的麻木- 桑塔格《論攝影》（下）
第八週：冬園中的私密刺點 - 羅蘭．巴特《明室》
第九週：虛構的先行與超現實的沙漠 - 布希亞《擬像與仿真》
第十週：祕密的誘惑與客體的復仇- 布希亞《論誘惑》與《致命策略》
第十一週：誰的生命可哀悼？ 論巴特勒《戰爭的框架》
第十二週：泰然任之的凝視從《薩爾加多的凝視》到《重回大地》中的大地與本源
第十三週：時間的肉身與存有的拓撲- 塔可夫斯基與《雕刻時光》中的生命祭壇
第十四週：肉身的交叉與視覺的起源《眼與心》中的反笛卡兒邏輯
第十五週：深度與不可見性- 作為存有維度的繪畫
第十六週：可見者的終極返還- 從擬像沙漠到肉身的詩意居所
第十七-十八週：自主學習：視覺藝術哲學議題自我探討
Week 1: The Ontology of Vision and Political Deconstruction — Introduction & Dual-Axis Mapping
Week 2: Archaeology of the Optical Unconscious — Walter Benjamin, A Short History of Photography
Week 3: The Fall of the Aura and Political Shock — Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction
Week 4: The Will to Power in Seeing — John Berger, Ways of Seeing (I)
Week 5: The Seduction of the Spectacle and Self-Co-option — John Berger, Ways of Seeing (II)
Week 6: Photography as Predatory Collection — Susan Sontag, On Photography (I)
Week 7: Image Overload and Sensory Anesthesia — Susan Sontag, On Photography (II)
Week 8: The Private Punctum in the Winter Garden — Roland Barthes, Camera Lucida
Week 9: The Precession of Simulacra and the Desert of the Real — Jean Baudrillard, Simulacra and Simulation
Week 10: The Seduction of the Secret and the Revenge of the Object — Jean Baudrillard, Seduction & Fatal Strategies
Week 11: Whose Life is Grievable? — Judith Butler, Frames of War
Week 12: The Gaze of Gelassenheit — From The Salt of the Earth to Genesis
Week 13: The Flesh of Time and the Topology of Being — Tarkovsky’s Sculpting in Time
Week 14: The Intertwining of the Flesh — Merleau-Ponty, Eye and Mind
Week 15: Depth and Invisibility — Painting as a Dimension of Being
Week 16: The Ultimate Return of the Visible — From the Desert of Simulacra to a Poetic Dwelling
Week 17-18:Autonomic learning: Independent Exploration of Visual Arts Philosophical Issues
- Teacher: 紀金慶 celan1215