1.程式與人工智慧應用
2.Python 程式設計(I)-(III)
3.人工智慧應用上的技術與模型
4.監督式學習
5.非監督式學習
6.簡介深度學習與音樂創作
7.簡介人工智慧音樂創作

1. Introduction
2. PREFACE and PART ONE: THE IMPERATIVE TO JUSTIFY
Boltanski, Luc, and Laurent Thévenot. On Justification: Economies of Worth. Princeton University Press, 2006.
3. PART TWO: THE POLITIES
Boltanski, Luc, and Laurent Thévenot. On Justification: Economies of Worth. Princeton University Press, 2006.
4. PART THREE: THE COMMON WORLDS
Boltanski, Luc, and Laurent Thévenot. On Justification: Economies of Worth. Princeton University Press, 2006.
5. PART FOUR: CRITIQUES
Boltanski, Luc, and Laurent Thévenot. On Justification: Economies of Worth. Princeton University Press, 2006.
6. PART FIVE: ASSUAGING CRITICAL TENSIONS
Boltanski, Luc, and Laurent Thévenot. On Justification: Economies of Worth. Princeton University Press, 2006.
7. Discussion on On Justification: Economies of Worth
8. Introduction and Part I Destruction and Creation of Wealth
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
9. Part II Prices and Forms of Valuation
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
10. Part III Commodity Structures (I)
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
11. Part III Commodity Structures (II)
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
12. Part III Commodity Structures (II)
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
13. Part IV Who Profits from the Past (I)
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
14. Part IV Who Profits from the Past (II)
Boltanski, Luc, and Arnaud Esquerre. Enrichment: A Critique of Commodities. Translated by Catherine Porter, 1st ed., Polity Press, 2020.
15. Discussion on Enrichment: A Critique of Commodities.
1. Oral presentation of final term paper (I)
2. Oral presentation of final term paper (II)

第01週 ●課程介紹/ 聲音合成概論Course Introduction / Introduction to Sound Synthesis

第02週 ●聲音合成的基礎Fundamentals of Sound Synthesis

第03週 ●PureData邏輯單元PureData logic

第04週 ●PureData聲音物件PureData sound object

第05週 ●聲音的調頻與調幅Frequency modulation and amplitude modulation of sound
第06週 ●作業報告（一）Project development
第07週 ●作業報告（二）Project development
第08週 ●聲音檔案操作Sound file manipulation
第09週 ●互動聲音裝置Interactive sound device
第10週 ●聲音與影像Sound and image
第11週 ●沉浸式聲響環境Immersive sound environment
第12週 ●作業報告（一）Project development
第13週 ●作業報告（二）Project development
第14週 ●聲音與空間探討（一）Exploration of sound and space
第15週 ●聲音與空間探討（二）Exploration of sound and space
第16週 ●作品構想報告Project proposal
第17週 ●作品討論與問題Discussion and issues with the work
第18週 ●習作作品展示Showcase of practice works

1.Introduce to contents of the course
2.What Is Aapplied Ethnomusicology
3.The Development of Applied Ethnomusicology
4.Musical Heritage and Sustainability
5.Musical Heritage in China
6.Musical Heritage in Indonesia
7.Medical Ethnomusicology
8.Medical Ethnomusicology in the Western World
9.Medical Ethnomusicology in Asia and Afirca
10.Music and Violence
11.Music and War
12.Music and Social Justice
13.Music and Minority
14.Educational Ethnomusicology
15.Ethnomusicology in Higher Education
16.World Music Education
17.Music Education and Multiculture
18.Presentation of Term Paper
*Hand in the term paper

本課程針對曾侯乙編鐘、賈湖骨笛、環保二胡、音高尺度、最小可辨音差和阿炳音律傾向的測定等六個專題為主要內容，分成十二個講述單元：
一、曾侯乙編鐘的測音方法
二、曾侯乙編鐘的音律研究成果
三、賈湖骨笛的測音方法
四、賈湖骨笛的研究成果
五、環保二胡的測音方法
六、環保二胡的研究成果
七、人耳最小可辨音差的測音方法
八、人耳最小可辨音差的研究成果
九、最小可辨音差的測音方法
十、最小可辨音差的研究成果
十一、阿炳音律傾向的測音方法
十二、阿炳音律傾向的研究成果
以上各單元，隨每一單元課程進行同時，分別列舉相關實例及文獻，進而討論所涉理論與實際發展。