速度的美學問題在20世紀初即有不少的關注與討論，而今日資訊媒體的流通速度更體現超時空的非物質意義，當代藝術發展在這波科技速度影響下也展現出積極的意義。本課程內容含：
1.立体主義與中國山水畫的共時性(上)
2.立体主義與中國山水畫的共時性(下)
3.未來主義再探─動力速度(上)
4.未來主義再探─動力速度(下)
5.幾何、速度與權力(上)
6.幾何、速度與權力(下)
7.自動書寫─身體速度(上)
8. 自動書寫─身體速度(下)
9.機械復製─藝術速度的民主(上)
10. 機械復製─藝術速度的民主(下)
11.網路藝術─「去拓樸空間」(上)
12. 網路藝術─「去拓樸空間」(下)
13.第三人生的速度(上)
14. 第三人生的速度(下)
15.絕對速度─「慢」的技術(上)
16.絕對速度─「慢」的技術(下)
17.消失美學(上)
18.消失美學(下)

The aesthetic questions surrounding speed have been subjects of considerable attention and discussion since the early 20th century. Today, the circulation speed of information media reflects a trans-spatial, immaterial significance. Contemporary art has become a profound and dynamic response to this wave of technological speed. This course explores the following topics:
1.Synchronicity Between Cubism and Chinese Landscape Painting(Part I)
2.Synchronicity Between Cubism and Chinese Landscape Painting(Part II)
3.Revisiting Futurism—Dynamic Speed(Part I)
4.Revisiting Futurism—Dynamic Speed(Part II)
5.Geometry, Speed, and Power(Part I)
6.Geometry, Speed, and Power(Part II)
7.Automatic Writing—The Speed of the Body(Part I)
8.Automatic Writing—The Speed of the Body(Part II)
9.Mechanical Reproduction—The Democratization of Artistic Speed(Part I)
10.Mechanical Reproduction—The Democratization of Artistic Speed(Part II)
11.Internet Art— “Detopologized” Space(Part I)
12.Internet Art— “Detopologized” Space(Part II)
13.Speed in a “Third Life”(Part I)
14.Speed in a “Third Life”(Part II)
15.Absolute Speed—The Technology of “Slow”(Part I)
16.Absolute Speed—The Technology of “Slow”(Part II)
17.Aesthetics of Disappearance (Part I)
18.Aesthetics of Disappearance (Part II)