Week 1: Introduction
Week 2: Introductory Exercises
Week 3: Flexibility; Chord Progressions. Burmeister, p. 1-8; New Approach, p. 12-17; Morris & Ferguson, p. 1
Week 4: Free Transpositions; Melodies to Harmonize. Burmeister , p. 13-16; New Approach, p. 18-24; p. 40-45; Morris & Ferguson, p. 2
Week 5: Keyboard Feel; Sequences. Burmeister, p. 19-23; New Approach, p. 46-47; p. 52-57; Morris & Ferguson, p. 3
Week 6: Eyes and Breathing, Eyes in Motion, Peripheral and Agile Vision. Burmeister, p. 24-39; New Approach, p. 48-49; Morris & Ferguson, p. 4
Week 7: Contact; Finger Substitution. Burmeister, p. 51-65; New Approach, p. 50-51; Morris & Ferguson, p. 5-6
Week 8: Horizontal Intervals; Transposition by Clefs. Burmeister, p. 86-98; New Approach, p. 25-30 (transposition); Morris & Ferguson, p. 6-7
Week 9: Mid-term Exam
Week 10: Score Reading. Burmeister, p. 100-104; Morris & Ferguson, p. 8
Week 11: Score Reading ; Modulations. Burmeister, p. 105-107; Morris & Ferguson, p. 9-10
Week 12: Figured Bass. Burmeister, p. 107-110; New Approach, p. 77-82; Morris & Ferguson, p. 11
Week 13: Figured Bass. New Approach, p. 83-87; Handel, p. 4-7; Morris & Ferguson, p. 12
Week 14: Figured Bass. New Approach, p. 88-90; Handel, p. 8-10; Morris & Ferguson, p. 13
Week 15: Vertical Reading. Burmeister, p. 111-119; Morris & Ferguson, p. 14
Week 16: Score Reduction; Improvisation. Burmeister, p. 138-143; Morris & Ferguson, p. 15-16
Week 17: Score Reduction; Improvisation. Burmeister, p. 144-151; Morris & Ferguson, p. 17-18
Week 18: Final Exam