9/14 Week 1 課堂介紹、安排與說明。
9/21 Week 2 文化機構概論：資料館、圖書館及博物館（cultural institutions: LAMs）
Günter Waibel & Ricky Erway (2009) Think globally, act locally: library, archive, and museum collaboration, Museum Management and Curatorship, 24:4, 323-335, DOI: 10.1080/09647770903314704
薛理桂、吳宇凡（2010）檔案館圖書館與博物館跨機構合作館藏發展初探。《台灣圖書館管理季刊》，2010年七月。
Marcum, D. (2014). Archives, Libraries, Museums: Coming Back Together? Information & Culture: A Journal of History, Volume 49, Number 1, pp. 74-89.
9/28 Week 3 電影資料館做為文化機構（Film archive as cultural institutions）
《音像檔案管理：哲學與原則》Chapter 1-3
國家電影資料館（1990）《電影資料館是什麼》。電影欣賞第四十八期
Gracy, K. F. (2007). Ch4: Film Archives as Cultural Institutions, p. 57-83
10/5 Week 4 電影資料館：類型及其範式
《音像檔案管理：哲學與原則》Ch4，p. 31-51
Gracy, K. F. (2007). Ch2: Birth and Development of Film Archives and the Film Preservation Movement, p. 17-43
10/12 Week 5 電影作為文化資產（film as cultural heritage）
O’Connell, K. (2005). Moving History: Why We Must Protect Our Film Heritage, History Ireland, Vol. 13, No. 2, pp. 5-6.
Frick, C. (2011). Ch1: The Politics of Preservation (p. 3-25), from Saving Cinema, New York: Oxford Press
林亮妏、陳德齡（2018），誰需要電影博物館？－國家電影文化資產的文化治理與展示實踐。台藝大學術研究＆藝術展演平台
10/19 Week 6 電影檔案人需知
《音像檔案管理：哲學與原則》Chapter 7-8，p. 73-82
井迎瑞（2014），《檔案人守則》，http://archive.tnnua.edu.tw/?p=545
Spehr, P. (2013). The Education of an Archivist: Keeping Movies at the Library of Congress. The Moving Image, Vol. 13, No. 1, pp. 151-178.
Selected articles from Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories. SYNOPTIQUE: An Online Journal of Film and Moving Image Studies, Quebec, Canada: Concordia University.
10/26 Week 7 電影資料館六大要素
FIAF（2009）Preservation Best Practice. Retrieved from https://www.fiafnet.org/images/tinyUpload/E-Resources/Commission-And-PIP-Resources/TC_resources/Preservation%20Best%20Practice%20v4%201%201.pdf
國家電影資料館（1995）《電影資料保存手冊》翻譯自FIAF國際電影資料館聯盟於1980出版的A Handbook of Film Archive, online retrieved from https://www.fiafnet.org/images/tinyUpload/Publications/FIAF-Bookshop/A-Handbook-for-Film-Archives-LR.pdf p. 22-96
國家電影中心製作出品《數電影的人（Archiving Time, 2020）》60 mins
11/2 Week 8 烏山頭影展（11/1-7）停課，上課時段移至「移地教學」。
11/9 Week 9 保存與使用／近用 (Preservation and Access)
《音像檔案管理：哲學與原則》Ch5，p. 52-62
Gracy, K. F. (2007). Ch5: Documenting the Process of Film Preservation, p. 97-140
The Committee for Film Preservation and Public Access (1993). “Preservation without access is pointless,” Los Angeles, CA: The National Film Preservation Board of the Library of Congress.
11/16 Week 10當今電影資料館經營難處與挑戰
《音像檔案管理：哲學與原則》Chapter 6，p. 63-72
國家檔案局（2007），數位化對國家檔案館經營影響之研究。
Selected topic from Academy of Motion Picture Arts and Sciences’ publications The Digital Dilemma 1 (2007), Long-term Management and Storage of Digital Motion Picture Materials (2010), and The Digital Dilemma 2 (2012).
11/23 Week 11 Key Concepts I：社區資料庫(community archive)、參與式資料庫/館(participatory archive) 、孤兒影片（orphan films）
Andrew Flinn, Mary Stevens and Elizabeth Shepherd (2009), Whose memories, whose archives? Independent community archives, autonomy and the mainstream, Archive Science (2009) 9:71–86.
Caswell, M., &Mallick, S. (2014). Collecting the easily missed stories: Digital participatory microhistory and the South Asian American Digital Archive. Archives and Manuscripts, 42(1), 73–86.
Society of American Archivists. Orphan Works: Statement of Best Practices. (2009)
Streible, D. (2007). The Role of Orphan Films in the 21st Century Archive. Cinema Journal. Vol. 46, No. 3, pp. 124-128
11/30 Week 12 Key Concepts II 台灣著作權法、版權（copyright）/ 合理使用（fair use）、公共領域（public domain）
12/7 Week 13 案例研究：口頭報告
12/14 Week 14 移地教學／構機參訪：國家電影與視聽文化中心（典藏組／片庫）
12/21 Week 15 移地教學／構機參訪：國家發展委員會檔案管理局（簡稱：檔管局）
薛理桂（2019），我國國家檔案館未來營運方式初探。《檔案半年刊》，第18捲第2期, p. 4-12。
12/28 Week 16 轉變中的電影保存實踐
Fossati, G. (2009). Ch1: Film Practice in Transition, pp. 33-102, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
2022/1/4 Week 17轉變中的電影檔案管理領域
Fossati, G. (2009). Ch3: Film Archival Field in Transition, pp. 150-210, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
Fossati, G. (2009). A New Mindset for (Archival) Film in Transition: a Conclusion, pp. 255-260, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
1/11 Week 18 繳交期末書面報告
9/21 Week 2 文化機構概論：資料館、圖書館及博物館（cultural institutions: LAMs）
Günter Waibel & Ricky Erway (2009) Think globally, act locally: library, archive, and museum collaboration, Museum Management and Curatorship, 24:4, 323-335, DOI: 10.1080/09647770903314704
薛理桂、吳宇凡（2010）檔案館圖書館與博物館跨機構合作館藏發展初探。《台灣圖書館管理季刊》，2010年七月。
Marcum, D. (2014). Archives, Libraries, Museums: Coming Back Together? Information & Culture: A Journal of History, Volume 49, Number 1, pp. 74-89.
9/28 Week 3 電影資料館做為文化機構（Film archive as cultural institutions）
《音像檔案管理：哲學與原則》Chapter 1-3
國家電影資料館（1990）《電影資料館是什麼》。電影欣賞第四十八期
Gracy, K. F. (2007). Ch4: Film Archives as Cultural Institutions, p. 57-83
10/5 Week 4 電影資料館：類型及其範式
《音像檔案管理：哲學與原則》Ch4，p. 31-51
Gracy, K. F. (2007). Ch2: Birth and Development of Film Archives and the Film Preservation Movement, p. 17-43
10/12 Week 5 電影作為文化資產（film as cultural heritage）
O’Connell, K. (2005). Moving History: Why We Must Protect Our Film Heritage, History Ireland, Vol. 13, No. 2, pp. 5-6.
Frick, C. (2011). Ch1: The Politics of Preservation (p. 3-25), from Saving Cinema, New York: Oxford Press
林亮妏、陳德齡（2018），誰需要電影博物館？－國家電影文化資產的文化治理與展示實踐。台藝大學術研究＆藝術展演平台
10/19 Week 6 電影檔案人需知
《音像檔案管理：哲學與原則》Chapter 7-8，p. 73-82
井迎瑞（2014），《檔案人守則》，http://archive.tnnua.edu.tw/?p=545
Spehr, P. (2013). The Education of an Archivist: Keeping Movies at the Library of Congress. The Moving Image, Vol. 13, No. 1, pp. 151-178.
Selected articles from Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories. SYNOPTIQUE: An Online Journal of Film and Moving Image Studies, Quebec, Canada: Concordia University.
10/26 Week 7 電影資料館六大要素
FIAF（2009）Preservation Best Practice. Retrieved from https://www.fiafnet.org/images/tinyUpload/E-Resources/Commission-And-PIP-Resources/TC_resources/Preservation%20Best%20Practice%20v4%201%201.pdf
國家電影資料館（1995）《電影資料保存手冊》翻譯自FIAF國際電影資料館聯盟於1980出版的A Handbook of Film Archive, online retrieved from https://www.fiafnet.org/images/tinyUpload/Publications/FIAF-Bookshop/A-Handbook-for-Film-Archives-LR.pdf p. 22-96
國家電影中心製作出品《數電影的人（Archiving Time, 2020）》60 mins
11/2 Week 8 烏山頭影展（11/1-7）停課，上課時段移至「移地教學」。
11/9 Week 9 保存與使用／近用 (Preservation and Access)
《音像檔案管理：哲學與原則》Ch5，p. 52-62
Gracy, K. F. (2007). Ch5: Documenting the Process of Film Preservation, p. 97-140
The Committee for Film Preservation and Public Access (1993). “Preservation without access is pointless,” Los Angeles, CA: The National Film Preservation Board of the Library of Congress.
11/16 Week 10當今電影資料館經營難處與挑戰
《音像檔案管理：哲學與原則》Chapter 6，p. 63-72
國家檔案局（2007），數位化對國家檔案館經營影響之研究。
Selected topic from Academy of Motion Picture Arts and Sciences’ publications The Digital Dilemma 1 (2007), Long-term Management and Storage of Digital Motion Picture Materials (2010), and The Digital Dilemma 2 (2012).
11/23 Week 11 Key Concepts I：社區資料庫(community archive)、參與式資料庫/館(participatory archive) 、孤兒影片（orphan films）
Andrew Flinn, Mary Stevens and Elizabeth Shepherd (2009), Whose memories, whose archives? Independent community archives, autonomy and the mainstream, Archive Science (2009) 9:71–86.
Caswell, M., &Mallick, S. (2014). Collecting the easily missed stories: Digital participatory microhistory and the South Asian American Digital Archive. Archives and Manuscripts, 42(1), 73–86.
Society of American Archivists. Orphan Works: Statement of Best Practices. (2009)
Streible, D. (2007). The Role of Orphan Films in the 21st Century Archive. Cinema Journal. Vol. 46, No. 3, pp. 124-128
11/30 Week 12 Key Concepts II 台灣著作權法、版權（copyright）/ 合理使用（fair use）、公共領域（public domain）
12/7 Week 13 案例研究：口頭報告
12/14 Week 14 移地教學／構機參訪：國家電影與視聽文化中心（典藏組／片庫）
12/21 Week 15 移地教學／構機參訪：國家發展委員會檔案管理局（簡稱：檔管局）
薛理桂（2019），我國國家檔案館未來營運方式初探。《檔案半年刊》，第18捲第2期, p. 4-12。
12/28 Week 16 轉變中的電影保存實踐
Fossati, G. (2009). Ch1: Film Practice in Transition, pp. 33-102, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
2022/1/4 Week 17轉變中的電影檔案管理領域
Fossati, G. (2009). Ch3: Film Archival Field in Transition, pp. 150-210, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
Fossati, G. (2009). A New Mindset for (Archival) Film in Transition: a Conclusion, pp. 255-260, From Grain to Pixel: The Archival Life of Film in Transition. Amsterdam: Amsterdam University Press
1/11 Week 18 繳交期末書面報告
- 教師: hsiehyuen 謝侑恩