2/22 Week 1 Introduction

3/1 Week 2 Towards a Third Cinema Ⅰ
Solanas, F. & O. Getino. 1976. "Towards a Third Cinema". Pp 44-64 in Movies and Methods: An Anthology, edited by Bill Nichols. Berkeley: University of California Press.
Hour of the Furnaces (1968, Fernando Solanas)

3/8 Week 3 Towards a Third Cinema Ⅱ
Getino, O.. 1979. “Some Oberservations on the Concept of a ‘Third Cinema’”. In Argentine Cinema, edited by Tim Barnard.
Hour of the Furnaces (1968, Fernando Solanas)

3/15 Week 4 The Battle of Chile I
“Filmmakers and the Popular Government: A Political Manifesto”. In Third Cinema in the Third World, The Aesthetics of Liberation, edited by Teshome H. Gabriel.
The Battle of Chile(1976, Patricio Guzmán)

3/22 Week 5 The Battle of Chile: memory I
Patricio Guzman, Chile: the obstinate memory (1997)
Patricia Aufderheide and Patricio Guzmán (2002). The Importance of Historical Memory: An Interview with Patricio Guzmán
https://www.jstor.org/stable/41690155

3/29 Week 6 The Battle of Chile: memory II
Chile Trilogy (2010-2019)
Nilo Couret , (2011). Scale as Nostalgic Form: Patricio Guzmán's Nostalgia for the Light
https://www.jstor.org/stable/10.13110/discourse.39.1.0067

4/12 Week 8 The Battle of Chile: memory III
Chile Trilogy (2010-2019)

4/19 Week 9 Imperfect Cinema Ⅰ
Espinosa, Julio Garcia. 1979. “For an Imperfect Cinema”. Jump Cut, No.20.
Memories of Underdevelopment (1968, Tomás Gutiérrez Alea)

4/26 Week 10 Imperfect Cinema Ⅱ
Espinosa, Julio Garcia. 1985. “Meditation on Imperfect Cinema……Fifteen Years Later”. Screen, May-August, Vol.26, No.3/4.
Lucia (1968, Humberto Solas)

5/3 Week 11 Aesthetic of Imperfection I
Filipino:
Kidlat Tahimik, Perfumed nightmare (1977)
Kidalt Tahimik, Memories of overdevelopment (1984)
Dixon, Deborah. 2005. Confronting the Geopolitical Aesthetic: Fredric Jameson, The Perfumed Nightmare and the Perilous Place of Third Cinema.
hhtps://www.academia.edu/26069589/Confronting_the_Geopolitical_Aesthetic_Fredric_Jameson_The_Perfumed_Nightmare_and_the_Perilous_Place_of_Third_Cinema

5/10 Week 12 Aesthetic of Imperfection II
Filipino:
Japanese Summer of a Filipino Fundoshi (1996) 40min, 16mm, etc.
Pavsek, Christopher. 2013. Kidlat Tahimik “Third world project”, pp. 78-149, in The Utopia of Film: cinema and its furtures in Gadard, Klug, and Tahimik. New York: Columbia University Press.

5/17 Week 13 Esthetic of Hunger
Rocha, Glauber. “An Esthetic of Hunger”. Brazilian Cinema.
De Andrade, Joaquim Pedro. “Cannibalism and Self-Cannibalism”. Brazilian Cinema.
Black God, White Devil (1964, Glauber Rocha)

5/24 Week 14 Mauritanie
Hondo, Med. “What is Cinema for Us?”. Jump Cut, No.31.
Soleil O(1970, Med Hondo)

5/31 Week 15 Senegal
Sembene, Ousamane. “Film and Social Change”. In Third Cinema in the Third World, The Aesthetics of Liberation, edited by Teshome H. Gabriel.
Black Girl (1966, Ousamane Sembene)

6/7 Week 16 My voices through colonizer’s images
Indonesia/Netherlands
Vincen Monnikendam, Mother Dao, the turtlelike (1995)

6/14 Week 17 My tone turn I
Argentine:
Fernando Solanas, The Voyage (1992), Cloud (1998)
Deborah Shaw, Deborah, (2002). Heroes, Villains and Women: Representations of Latin America in "The Voyage" by Fernando Solanas.
https://www.jstor.org/stable/3339255

Paula Halperin (伍勤譯) (2020).紀念索拉納斯: 第三電影與裴隆主義
https://read01.com/5nNP3dE.html#.Ydfax8lBypo

6/21 Week 18 My tone turn II & final week
Argentine:
Fernando Solanas, a social genocide(2004), dignity of the nobodies(2005)
Hudson, David. (2020). Fernando Solanas: “I keep resisting”
https://www.criterion.com/current/posts/7179-fernando-solanas-i-keep-resisting