專題1：「當代寫實主義」
【原文讀本】Adam Lowenstein, “The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter”, Cinema Journal 46, Number 3, Spring 2007, pp. 54-82.

專題2：「作者論」
【原文讀本】Louise Shea, “From Louis Feuillade to Johnny To: Olivier Assayas on the future of French Cinema”, French Forum, Volume 34, Number 3, Fall 2009, pp. 121-136.

專題3：「華語電影」
【原文讀本】Yingjin Zhang, “Chinese Cinema and Transnational Film Studies”, World Cinemas, Transnational Perspectives, Edited by Nataša Durovicová, Kathleen E. Newman, New York: Routledge, 2009, pp. 123-36.

專題4：「影展」
【原文讀本】Dorota Ostrowska, “Making Film History At the Cannes Film Festival”, Film Festivals: History, Theory, Method, Practice, Edited by Marijke de Valck, Brendan Kredell, Skadi Loist, London: Routledge, 2016, pp. 18-33.

專題5：「後電影」
【原文讀本】 “Perspectives on Post-Cinema: An Introduction”, Post-Cinema: Theorizing 21st-Century Film, Edited by Shane Denson and Julia Leyda, Falmer: Reframe Books, 2016, pp. 1-19.