第一週 A Very Brief History of Films and Introduction to Production Design
第二週 The Development of Production Design in Taiwan
第三週 Form Analysis: Qiong Yao Films as Examples
第四週 Production Design Exercise (1): Living Room, Dining Room and Bedroom Sets in A House
第五週 Art Themes in the Movies: Artists, Artworks and Art Space (1)
第六週 Art Themes in the Movies: Artists, Artworks and Art Space (2)
第七週 Production Design Exercise (2): Artworks in Time
第八週 Reality and Imagination in Historical Films: The Production Design of King Hu and Tsui Hark
第九週 Historiophoty and Art Historiography
第十週 Mid-term Exam: Analysis of the characteristics and symbolic meaning of the production design of self-selected films
第十一週 Case Studies(1): King Hu and the Shaw Brothers’ “New” Style Martial Arts Films of the 1960s: : A Bricoleur in the Film Studio
第十二週 Case Studies(2)：Ch-ch-ch-ch-change: Gu Long, Chu Yuan and the Production Design of Martial Arts Films in the 1970s
第十三週 Case Studies(3): Becoming A Dragon in the Fields: Everyday Life and the Urban-Rural Differences in the Kung Fu Movies of Hong Kong in the Late 1970s
第十四週 Case Studies(4): Gender, Power and Identity in Taiwanese Culinary Films
第十五週 Case Studies(5): Ethnic Conflict and Reconciliation in the Movies of Hong Kong and Taiwan in the Early 1960s: The Greatest Civil War on Earth, Good Neighbors and Romance at Lung Shan Temple
第十六週 Case Studies(6): Magical Mystery Tool: The Props in the Production Design of Jiangshi Films of Hong Kong in the 1980s
第十七週 Case Studies(7): From Vanity to Reality: the Transformation in the Production Design of Taiwanese Wenyi Films around 1980
第十八週 Final Presentation: Creating Production Design for A Chat-GPT Story